The Palace of Illusions is a retelling of the Mahabharata from the perspective of Draupadi, the enigmatic and fiery queen who plays a central role in the epic. Written by acclaimed author Chitra Banerjee Divakaruni, the novel reimagines Draupadi’s story—her emotions, relationships, inner conflicts, and untold desires—in a way that is both deeply human and powerfully feminist
Told in first person, Draupadi’s voice is bold, intelligent, and emotionally complex. From her mysterious birth in fire to her tumultuous marriage to the five Pandava brothers, and her central role in the game of dice and the great war of Kurukshetra, the novel focuses on what it means to be a woman with agency in a deeply patriarchal society.
This is not the Draupadi of silence and shadows, but one who questions her fate, her choices, and the world around her.
Chitra Banerjee’s prose is lyrical, rich, and vivid, blending myth with emotion in a way that feels both ancient and modern. She brings out the magical realism of the Mahabharata without compromising on psychological depth.
What surprised me in this novel was how revered figures like Krishna, Vyasa, and Bheeshma were portrayed not as divine or noble icons, but simply as fallible human beings, often referred to just by name. At times, this approach felt somewhat disrespecting and made me question the author’s tone. Midway through the book, I also felt the narrative became overly introspective, focusing heavily on “I, me, and myself,” which made Draupadi come across as self-centered.
One perspective that stood out was the portrayal of Kunti—not as a passive mother but as a strategic mind behind Draupadi’s marriage to all five Pandavas, suggesting it was a calculated move rather than a mistake. It made me wonder: were “saas-bahu dynamics” already a thing during the Dwapara Yuga?
The Palace of Illusions is a powerful, imaginative, and moving retelling that gives Draupadi her rightful place—not just in the epic, but in the modern reader’s heart. It’s a celebration of voice, strength, and womanhood in the face of destiny and tradition.